DELHI MILONGA BLOG
|Posted by kiran.sawhney on July 2, 2014 at 2:25 AM|
Al costado- To the side.
Arrastre- A drag. E.g., to drag your partner's foot with your own.
El abrazo- The embrace, as in dance hold.
Abrir- To open.
Amago-(from amagar, To feint, to make a threatening motion.) An amague is used as an embellishment, usually a flick of the foot done before taking a step. It may also be a frappe, a beat done with the foot before taking a step.
Bailamos?-Shall we dance? This is more commonly said than a complete, formal sentence, like "Quisiero bailar contigo" (I would like to dance with you). Also, you sometimes hear "Quieres bailar?" (would you like to dance?).
Barrida- (from barrer, To sweep away.) Sweeping your partner's foot with your own. Also called llevada.
Barrio-A neighborhood in an Argentine city.
Boleo- (from bolear, a type of throwing/swiveling that gauchos do with the boleadoras (a rope with balls at the end of it) in order to tumble down the cattle.) An ornament. Throwing or swiveling one leg with the knees locked together, usually one behind the other. A boleo may be done with the toe touching the floor or higher.
Los brazos- The arms.
Cadena- Chain. A movement of two people across the floor in a circular motion. One partner displaces the other partners leg and rolls across the front of their body. The other partner continues the motion. Must be seen to be appreciated.
Caminar- To walk.
Candombe- A type of dance done by the descendants of black slaves in Argentina. A type of tango music with a marked rhythm played on a drum. The place where blacks went to dance (synonymous with 'milonga').
Canyengue- An older style of tango.
La Cintura- The waist.
El compás- The beat
Corrida- A running step used in milonga, a series of small steps in double-time.
Corte- Cut. Corte means cutting the music either by syncopating or stopping for a moment, taking something away from the principal move. Opposite of Firuletes.
Cruzar- To cross.
Cruzada- The cross. Crossing one foot in front or in back of the other.
El cuerpo- The body
Los dedos- The fingers, toes
Desplazamiento- displacement-Displacing a partner's foot or leg using your own foot or leg.
Dibujo- A drawing or sketch. A dibujo is done by drawing circles or other small movements on the floor with the toe.
Doble Tiempo- Double time.
El eje- The axis (of the body).
Enganche- Hooking or coupling, wrapping your leg around your partner's leg.
Enrosque- From enroscar, to coil, twist, or screw. To spin on one foot while hooking the other foot behind, usually while the woman is executing a molinete.
Escuchar- To listen.
Fantasia- A style of tango for the stage characterized by large sweeping moves, and often many ganchos. Considered inappropriate in a small club or salon.
Fijarse- Pay close attention to.
Gancho- A hook. Used primarily on stage, considered inappropriate for salon tango.
Giro- Turn. When the woman is doing a molinete, the man walks in a circle to his right or left (can be done either direction), sometimes turning sharply, sometimes slowly. One of the basic walking patterns.
Guiar- To guide, also to lead.
Juntos- Together. From juntar to join together, as in one's feet or knees.
Lápiz- Pencil. A circular figure executed with one foot drawing on the floor.
Llevada- From llevarto carry. Similar to a barrida. The man can move the woman's foot with his own, carrying it off the floor or across the floor.
La Marca- The lead. From marquar, to lead.
Media vuelta- Half turn.
Milonga- 1) The music of a dance that preceeded the tango, usually in 2/4 time, quicker and more upbeat than tango.
2) A dance, where people go to dance tango and milonga.
Milonguero- An older tango dancer, one who frequented the milongas during the 1940's and 50's. May also describe a style of dancing during that period.
Mirar- To look.
Molinete- Little windmill. When the follower moves in a circle around the leader, doing a footwork resembling forward and backward ochos.
Mordida- Bite. One partner's foot is sandwiched between the other partner's feet.
Ochos- Eights. Pivoting forward or backward with the feet together during the pivot and extended during the step.
Ocho cortado- Cut eight.
Orillero- The outskirts of the city, suburban.
Orillero style- A style of dancing from the suburbs characterized by the man doing many quick, syncopated foot moves.
Parada- A stop.
Patada- A kick.
El pecho- The chest.
El peso- The weight.
El piso- Floor
La pista- Dance floor
Preguntar- To ask.
Una pregunta, por favor.- A question, please.
Las piernas- The legs
Quebrada- Break. The woman is standing on one foot, often hanging her weight on the man. The other foot is relaxed, often slightly raised with the toe touching the floor.
Rápido- Fast. Usually heard "mas rapido."
Resolución- Resolution. An ending to a basic pattern.
El Ritmo- The rhythm.
Las Rodillas- The knees.
Rulo- A curl.
Sacada- A displacement of the feet.
Salida- A start, or a run. The beginning of a pattern.
Salida Cruzada- The beginning of a pattern with a cross, stepping side left crossing right foot behind left or side right crossing left foot behind right.
Salón- A style of dancing for the milonga or small club, as opposed to stage tango (see Fantasia).
Seguir- To follow.
Sentada- A sitting move, the woman sits on her partner's bent leg or waist.
Sacada- A displacement, to move your partner's leg out of the way gently with your own.
Trabada- Fastened, a lock step. The step that the woman takes when the man steps outisde his partner with his right foot and then straight forward left, together right. At this point the woman crosses and this cross is referred to as trabada.
Una vez mas- One more time.
Vals- Waltz, done to tango music in waltz time.